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1999 DWS Repertoire

December 13 Program | October 26 Program

 

Diablo Wind Symphony
March 15 Program Notes

Gavorkna Fanfare

Gavorkna Fanfare, written in 1990, expands the traditional brass and percussion instrumentation to include the full band. It is based on two contrasting melodic ideas which explore rhythmic interaction of ostinato and counterpoint. The work was composed for, and dedicated to Eugene Corporon and the Cincinnati Conservatory of Music.

Elsa's Procession to the Cathedral

"Elsa's Procession," with its medieval color and pageantry, prefaces her betrothal to Lohengrin, mystics knight if the Holy Grail, come to deliver people of Antwerp from the Hungarian invaders. In this transcription, Lucien Cailliet has succeeded in building into the instrumental framework of the modern band a true representation of all that Wagner so eloquently describes with orchestra and chorus.

Variations On A Korean Folk-Song

Variations was composed in 1965, winning the American Bandmasters Association Ostwald Award for the composer the following year. Chance provided the following information concerning the work in the Journal of Band Research for autumn 1966:

"I became acquainted with the folk song known as Arrirang (pronounced "AH-dee-dong") while serving in Seoul, Korea, as a member of the Eighth U.S. Army Band in 1958-59. The tune us not as simple as it sounds, and my fascination with it during the intervening years led to its eventual use as the theme for this set of variations."

The work is in six sections opening with a pentatonic theme and then five variations.

'Tis a Gift

Anne McGinty is an acclaimed American composer who has written numerous band works for all experience levels. 'Tis a Gift takes the old Shaker melody, Simple Gifts, and works the melody into a variety of harmonic and rhythmic variations closely tied together by a reoccurring pulse. This is just a fun work to listen to, as well as to play!

La Belle Helene Overture

The translation is "The Beautiful Helen" and is a satirical operetta from the pen of Jacques Offenbach, the famous creator and leading exponent of comic opera. Offenbach was born in 1819 and his "La Belle Helene" was a spoof on the Greek myth of Helen of Troy. It can also be construed as a satire on the age of Napoleon III. The first performance was given in Paris in 1864.

Hymn for Band

Dr. Brent Heisinger was the head of the composition department at San Jose State University for several years before retirement. Hymn for Band evolves around a modal thematic material, supported primarily by minor tertian harmonies and chords based on open fifths.

Concertante for Eb Alto Saxophone and Band

Clare Grundman wrote the Concertante for soloist Dale Underwood and the United States Navy Band. It was premiered in 1972. The work is in one movement and displays the placid and exciting timbres of the alto saxophone.

Variations for Soprano Saxophone and Symphonic Band

Originally scored by Rossini to feature the clarinet, this arrangement works quite well for the more modern instrument, the soprano sax. Rossini, noted for his work in operas, writes this melody as he would an opera aria, and then proceeds to develop the simple melody into more and more complex melodic figures, allowing the soloist to display virtuostic abilities. The University of Southern California with Douglas Masek premiered this arrangement on April 25, 1984 as soloist.

Coat of Arms -- March

This is a unique march because it works well as a slow march for commencement, medium-tempo march for half-time routines, and as an up-tempo concert march. Kenneth Whitcomb, aka George Kenny, published under several names in order to avoid certain professional conflicts of interest.

 

Diablo Wind Symphony
December 13 Program Notes

Click to see Summary of December 13th Concert

 

Flourish for Wind Band

Vaughan Williams is one of England's major composers. Much like Gustav Holst, he saw the band as a unique avenue for his simple music. Simple in context, this work is often used to begin major concerts or activities in England.

Armenian Dances

The two Armenian Dances are among several works for military band by Aram Khatchaturian. The dances were written originally for a Red Army Cavalry Band in 1943 and were adapted for modern band instrumentation by the gifted American musician and scholar, Ralph Satz.

Cajun Folk Songs II

These delightful songs are from one of America's most outstanding band composers. Mr. Ticheli's arrangement of Amazing Grace, an original composition entitled Postcard, and his Cajun Folk Songs put him in the forefront of band composers. Simply composed, but with an unusual depth of orchestrational understanding, he presents two folk songs which develop into complex, but listenable, works.

The Irish Washerwoman

The Irish Washerwoman is from Anderson's Irish Suite. The suite consisted of six beloved Irish airs and was commissioned by the Boston "Pops" orchestra in 1947. Anderson frequently appeared as guest conductor of the orchestra. This particular movement, as you would suppose, is sturdy and full of life!

The Thunderer March

 

This was Mrs. Sousa's favorite march. Other than the fact that Sousa's "thunderer" was a Mason, his identity may never be revealed. Some think the march was dedicated to a colleague who untirelessly made travel arrangements for all the band tours, others believe that it was dedicated to the London Times known as the 'thunderer'. In any case, this has become one of Sousa's favorite marches worldwide.

Viva Musica!

Alfred Reed has written many concert overtures for band since his longtime association with conductor Frederick Fennell. Since Fennell assumed the conductorship of the Tokyo-Kosei Wind Orchestra, Mr. Reed has written a number of works for that organization. Viva Musica, although recorded by Fennell, was commissioned by the VanderCook College of Music in Chicago. He titled this work after thoughts about the joy of music making.

Concertino for Clarinet and Band

This was commissioned by Dr. Carliss Johnson and the South Dakota State University Symphonic band, James McKinney, Director. Once the soloist and the band state the main theme, there is lots of room during various cadenzas for the soloist to show off.

Basketball!

Since the NBA lockout has prohibited basketball fans from cheering for their favorite team, we felt responsible for keeping that good-ol' team spirit alive. Feel free to join in if you want!

Sleigh Ride!

One of Leroy Anderson's favorite works heard every year at this time. Another work commissioned by the Boston "Pops" orchestra and Arthur Fiedler. Mr. Anderson arranged the work for band after many requests and stated that the band arrangement is one of his personal favorites. Hopefully this will keep us in good spirits for the holidays. Enjoy!


Diablo Wind Symphony
October 26 Program Notes

 

Ballet Parisian - Jacques Offenbach

Offenbach wrote his music in Paris a hundred years ago, yet we find much of it fresh and delightful today. Sometimes spirited, sometimes elegant, Offenbach's music is always rhythmic and always melodious.

Ballet Parisian is a suite in five movements, four of which we will hear this evening. The melodies have been selected from four of the composer's most popular operas: Genevieve of Brobant, La Perichole, La Vie Parisienne, and the well-known Orpheus.

 

Come, Sweet Death - Johanne Sebastien Bach

Come, Sweet Death is one of sixty-nine chorale preludes by Bach in the group of Sacred Songs and Airs, published in 1736. Although usually considered a Bach composition, it is in reality a harmonization by Bach of a beloved traditional German folk song. Bach's chorlae prelude adaption comsisted of a single melody line with figured bass, leaving the harmonization of the inner voices to the keyboard player.

 

A Trumpeter's Lullaby - Leroy Anderson

This composition is a staple in the trumpet solo repertoire. Typical Anderson, the work is in ABA form and is a mixture of pleasant harmonies with a delightful interchange between the soloist and band.

 

Andra Yeghoian, trumpet soloist

A member of the Las Lomas High School bands, Andra is making her mark as a rising artist. Her honors and associations include Contra Costa Honor Band (1997-98); Bay Section Honor Band (1997); ACDA Children's Honor Choir (1997); Cazadero Performance Arts Camp (1998); Hayward-La Honda Music Camp (1993-98); Stanislaus Music Camp (1997); and Contra Costa Children's Chorus Camp (1992-96).

She received the Las Lomas High School Music Letter in 1998.

Andra Yeghoian is a student of Jonathan Knight, Greg Brown and Earl Fredericks.

 

Prelude, Sicilian and Rondo - Malcolm Arnold

Holsinger has attempted in American Faces to pay tribute to the multifarious qualities and standards that make up the "faces" of America. It is not a patriotic montage, but rather an overture of diverse themes, original and borrowed; each conveying the composer's impression of American exuberance, pioneering spirit, and underlying faith.

 

Rushmore, A Symphonic Prologue for Winds - Alfred Reed

Rushmore was commissioned by the Rushmore Music Camp in South Dakota and premiered in 1980 at Mt. Rushmore.

A brooding, mystic opening, representing, perhaps, the four great faces carved in stone gazing over the plains of America, introduces a strong melodic line depicting inner strength and calm majesty represented by these four great Americans as guardians of our tradition and faith in the freedom of man. This melody finally joins "America the Beautiful" to bring the work to a close.

 

Second Suite in F for Military Band - Gustav Holst

Holst's Second Suite in F, composed in 1911, uses English folk songs and folk dance tunes throughout, being written at a time when he needed to rest from the strain of original composition. The suite has four movements, each with its own distinctive character.

The opening March uses three tunes, first a lively morris dance (popular dance style in the Renaissance), the second a folk song called "Swansea Town", and the third tune, "Claudy Banks", has a lilting compound duple meter feel.

The second movement, based on "I'll love my love", which is a song depicting two lovers separated by their parents.

"The Song of the Blacksmith" is complex rhythmically, much of it being in septuple meter. Listen closely and you can hear the blacksmith's anvil.

"The Dargason" is an English country dance and folk song dating at least from the sixteenth century.

 

Place St. Henri - Oscar Peterson

This delightful work is composed by the great jazz pianist, Oscar Peterson, as part if his Canadiana Suite which he recorded with his jazz trio. The work includes jazz rhythms, features the clarinet section, and becomes a real toe-tapper for the audiences. Sit back and enjoy!

 

Americans We - Henry Fillmore

Fillmore had problems deciding on a title for this march. His band was giving a series of concerts at the local zoo so he would introduce the new work as The Cincinnati Zoo one day and Pure Food and Health the next! Finally, realizing that it was probably his finest march, he published it in 1929 as Americans We and dedicated it to "all of us." Noting the exuberance in this march, Paul Yoder reminisced that Fillmore had once told him that he wrote music "to make people happy." And that is how we want you to feel after we are done!

 

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